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Chinese Blue White Porcelain Covered Jar Interlocking Lotus Scroll Qing 11"H

Chinese Blue White Porcelain Covered Jar Interlocking Lotus Scroll Qing 11"H

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Chinese Blue White Porcelain Covered Jar Interlocking Lotus Scroll Qing 11"H

Chinese qinghua (青花) porcelain covered jar, allover interlocking lotus scroll (lianhua tangluo) with peony medallions, cobalt blue teardrop finial, Qing dynasty

China; Qing dynasty, 19th century

A Chinese qinghua (青花) blue and white porcelain covered jar of compressed globular form — the broad, rounded shoulder tapering to a wide flat base, the body carrying an allover interlocking lotus scroll (纏枝蓮, chanzhilian) of extraordinary density and evenness. The scroll fills the entire surface without interruption or border zone, the repeating tendril-and-leaf pattern punctuated at regular intervals by fully opened peony (牡丹, mudan) medallions of considerable refinement — each bloom rendered with layered petal detail and a structured center that reads clearly against the busy scroll ground. The brushwork throughout is fine and controlled, the cobalt a clean, even blue without the heaping-and-piling or purple tones of earlier periods, consistent with 19th-century Qing production. The fitted domed lid carries the same interlocking scroll on its upper face, centering on a peony medallion, and is surmounted by a boldly glazed deep cobalt blue teardrop finial — the concentrated blue of the finial providing a strong visual anchor against the delicate allover pattern below. The base is unglazed with a wide, slightly irregular foot ring in the biscuit, consistent with provincial or mid-range Qing commercial production.

The interlocking lotus and peony scroll — among the most venerable decorative formats in Chinese blue and white — carries layered symbolic weight: the lotus (蓮, lian) as the emblem of purity and Buddhist cultivation, the peony (牡丹) as the flower of wealth, honor, and the imperial court. Their combination in an allover chanzhilian composition, without interruption by panel or border, creates a surface that reads as a continuous garden — abundant, auspicious, and visually inexhaustible. Jars of this compressed globular form were produced across the 19th century for both domestic storage use and as decorative objects for the scholar's studio and the merchant interior, and the quality of the allover scroll painting here — even, dense, and executed without visible hesitation — places this example toward the better end of commercial Qing production.

The deep cobalt teardrop finial is a distinctive and decorative element — its saturated, pooled glaze contrasting deliberately with the restrained blue and white of the body and lid, and its teardrop form echoing the floral bud motifs embedded throughout the scroll. It is the one moment of chromatic intensity in an otherwise disciplined surface.

  • Form: Compressed globular covered jar (guan) with domed lid and teardrop finial
  • Decoration: Allover interlocking lotus scroll (纏枝蓮) with peony medallions in underglaze cobalt blue; matching scroll to lid; deep cobalt blue glazed teardrop finial
  • Mark: None — unglazed biscuit base with wide foot ring
  • Period: Qing dynasty, 19th century
  • Dimensions: 11″H × 9″dia (28 × 23 cm)
  • Weight: ~6 lbs / ~2,722 g
  • Condition: Sound and stable; unglazed foot ring shows age and kiln grit consistent with period; glaze and decoration intact; no chips or cracks noted. Please see photos for details.
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