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Shogun's Painted Culture: Fear & Creativity in the Japanese States, 1760–1829 by Screech 2000

Shogun's Painted Culture: Fear & Creativity in the Japanese States, 1760–1829 by Screech 2000

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A penetrating cultural history of Japanese painting in the late Edo period, centered on the figure of Matsudaira Sadanobu (1758–1829), chief shogunal councillor and cultural arbiter who played a decisive role in shaping what we now think of as traditional Japanese visual culture. Screech examines how Sadanobu mobilized painting as a political instrument, promoting established academic styles and sponsoring the revival of historical and literary painting as a counterweight to the ukiyo-e tradition he opposed. The reconstruction of Kyoto after the great fire of 1788 provided the occasion for a sweeping reassertion of the shogunate's visual authority. Learned, readable, and richly illustrated, this is an essential text in the cultural history of Edo-period Japan.

  • Title: The Shogun's Painted Culture
  • Subtitle: Fear and Creativity in the Japanese States, 1760–1829
  • Author: Timon Screech
  • Publisher: Reaktion Books, London
  • Publication Date: 2000
  • Edition: First Edition
  • Printing:
  • Format: Softcover
  • Pages: 312
  • Illustrations: 111 illustrations, 20 in color
  • ISBN-13: 978-1861890641
  • Language: English
  • Dimensions: 9 × 6 in.
  • Series: Envisioning Asia
  • Condition: Very Good
  • Notes: Timon Screech is Senior Lecturer in the history of Japanese art at SOAS, University of London. Cover features a hanging scroll detail: a small animal (likely a rat) on a pine branch with calligraphy inscription.
  • Description: A penetrating cultural history of Japanese painting in the late Edo period, centered on the figure of Matsudaira Sadanobu (1758–1829), chief shogunal councillor and cultural arbiter who played a decisive role in shaping what we now think of as traditional Japanese visual culture. Screech examines how Sadanobu mobilized painting as a political instrument, promoting established academic styles and sponsoring the revival of historical and literary painting as a counterweight to the ukiyo-e tradition he opposed. The reconstruction of Kyoto after the great fire of 1788 provided the occasion for a sweeping reassertion of the shogunate's visual authority. Learned, readable, and richly illustrated, this is an essential text in the cultural history of Edo-period Japan.
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